L’Argent
The last film by veteran writer and director Robert Bresson, the French crime drama L’Argent, literally translated as Money, was based on a short story by Russian novelist Leo Tolstoy. A relatively short film running only 84 minutes, it discusses the major themes of social injustice, and the miscarriage of justice. It was released in 1983 and is in French. Some of the main cast members are Christian Patey, Sylvie van den Elsen, Michel Briguet, Caroline Lang, and Vincent Risterucci. In this essay, I will attempt to discuss some of the major themes present and the plot of the movie.
It is hard to describe this type of movie for a number of reasons, it was very philosophical, it was done in the French language, and there is something unique about the style of the film. While I am proficient in the French language there, were a number of times where I found myself wishing the copy that I saw had English subtitles. L’argent is a very philosophical movie in the sense that it is portrayed to the audience. From the beginning, it was evident that Bresson, was attempting to show the evils of money, and how a quest for material goods leads to an unfulfilled life.
The film begins as a spoiled rich boy; Norbert is refused money from his father to repay a debt. Since his father will not give him the money, he goes to a friend he knows at school named Matrial, and gets a phony 500 franc bill. Both boys take the counterfeit money to a photography shop to buy something with which they can accrue as much real money as possible. Although the shop owner sees that, the money is counterfeit to make the sale she accepts the bill. Her husband albeit upset scolds her for accepting the bill but does nothing to alert the authorities of the faulty money, instead he passes along the money to an unsuspecting oil deliveryman named Yvon. Yvon is an honest man who does not realize that the bill is fake and tries to buy some food with it when he is arrested. He tries to sue the photographer, but both the shop owner and the assistant deny that they had ever seen Yvon. From this, little incident Yvon’s life spirals out of control. He receives no jail time but he looses his job because of the scandal. This unfortunately propels Yvon to pursue a life of crime. In order to support his family, he tries driving a getaway car for some criminals. The heist does not go as smoothly as they had planned and he was sent to jail for three years. While in jail, his baby dies of diphtheria and his wife decides to leave him. Becoming completely crazed, Yvon turns to theft, violent crime, and eventually cold-blooded murder.
The movie attempts to show the problems associated with money and the ultimate lengths people would go to when prompted by money. In a sense, money becomes something that replaces the sense of God. Bresson appears to be saying that there is no longer any God, but money, and money has successfully taken over that role. Yvon’s actions after he is released from jail seem abrupt and overly dramatized, but perhaps that is what the director is attempting to show. He is saying that the lust for money and material possessions and the alienation and disenfranchisement from a purposeful existence causes people to do illogical and irrational things. Even when people showed him kindness, like the old lady, he often returned their good favors with a blow to the head.
I thought this movie was great. It was not very long and it seemed to move very quickly. There were many images of evil or vice present throughout the film, and it seemed to follow closely along another book written by famous author, Fyodor Dostoyevsky called Crime and Punishment. Yvon started to behave in a similar manner as Raskolnikov did and even the last scene of the movie, which was somewhat ominous in the sense that there was just a large audience who was gaping at him after his confession, seemed to be taken directly out of Dostoyevsky’s novel. Perhaps, the ending could have provided a bit of a greater punch, but the entire movie did a great job of incorporating the dramatic so it was not missed too much.
It seems as a total waste of a life to witness Yvon go through those difficulties that seemingly should not have happened to him. Becoming a serial killer was not an obvious leap that Yvon undertook, perhaps the meaning of money, as being a corruptive tool is exactly what Bresson wanted. His views on the motivation of mankind was interesting and revealed the importance of money taking on a religious position in the lives of many people especially Yvon.
I would definitely recommend this movie to anyone looking for an interesting perspective on the nature of man. The performances while less than persuasive depicted a sort of lethargic, unconvincing performance which is perhaps what the director was going for. In any case, L’argent is a brilliant film, with an effective emotional effect.
